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1. #Template for garritan personal orchestra 5 movie
2. #Template for garritan personal orchestra 5 update
3. #Template for garritan personal orchestra 5 full
4. #Template for garritan personal orchestra 5 windows

So, in essence, you have a small menu of vibrato flavors to choose from, though even the “heavy vibrato” strings are not too cheesy. Most of the samples are recorded with some degree of vibrato, though a few instruments also have versions with heavier and lighter vibrato, and sometimes no vibrato at all. Things aren’t sampled at extreme dynamics, nor with over the top emotion, so this is not the world’s most epic orchestra.

#Template for garritan personal orchestra 5 movie

The sound is mostly middle of the road orchestral, although some of the string and brass variations have a more movie score feel, especially the SAM brass. Some of you might recognize the specific concert halls and cathedrals in the photos, but I have to include a screenshot of the “retro space”, because it’s the one place where this very serious sample library allowed itself to show a sense of humor. Each impulse comes with a photo, some of which show the actual space where the impulse was captured. Turning on the reverb generally makes the sound much nicer and more pleasant – classical instruments can sound pretty harsh and stark up close. The instrument features a built-in impulse reverb module with a nice selection of impulses, including several sizes of concert halls and churches, as well as less orchestral reverbs ranging from small studios to huge cinematic reverbs. Most of the instruments are miked pretty close, so the sound is quite dry if no reverb is applied, which is again good for flexibility. Do not expect a whole lot of round robins, velocity layers, and true legato sampling, though – this library is more about being complete while remaining compact and efficient.

When adding strings to a pop track, it is very nice to have an intimate ensemble of a size that one might realistically be able to hire for such a project and fit into a small studio if adding strings to a pop song before the era of sample libraries.Īs expected, the strings get the largest number of articulations, including FX such as scratches and squeaks, and even the sound of the strings being tuned. I’ve found myself using small string ensembles a lot over the past few weeks, and it’s something that few orchestral libraries have.

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For them, as well as for producers, it also allows the creation of small ensembles or chamber orchestras for those cases in which a full symphony orchestra would be overkill. All this allows the creation of accurate mock-ups of orchestral arrangements for composers or music conservatory students for whom the difference between two trumpets and three trumpets is very important, and who need proper divisi. The strings also have small sections sampled. These are separate from the solo instrument samples – the solo samples are more expressive and colorful. One unusual aspect of the library is that while violins or French horns are sampled as a whole section and as solo instruments, there are also samples of individual section players which can be used to build a section of the size that’s needed. There are also various subtle background noises, to add some realistic organic noise and keep recordings from being too clean and perfect, but none of the really distracting ones like coughing, talking, tripping over music stands etc.

The choirs can sing a few different vowels and are quite complete, with men, women, boys and children and even a soprano soloist. If you don’t know what that is and need to look it up, don’t worry – I had to look it up too, and it’s apparently an instrument that hasn’t been used much since about 1820. There aren’t a lot of exotic or unusual instruments – no flugelhorn or cimbasso – though there’s a huge selection of percussion including some pretty rare stuff, a harpsichord, a celesta, and two versions of a glass harmonica. The instruments are essentially everything that would be found in a modern symphony orchestra – the usual strings, woodwinds, brass, percussion, harps, keyboard instruments and choirs. The samples are compressed, so the total raw sample size would be a much larger number if they were WAV files. Taking up approximately 12 GB of disk space, Garritan Personal Orchestra 5 is several times larger than GPO 4 was, but still compact by the standards of orchestral libraries these days.

#Template for garritan personal orchestra 5 windows

It is a 32/64-bit plugin and standalone application for Windows and Mac, and is a complete symphony orchestra.

#Template for garritan personal orchestra 5 update

Garritan Personal Orchestra 5 ($149.95 or $49.95 upgrade) is a major update of Garritan’s classic orchestral library.